Hans Hartung (21 September 1904 – 7 December 1989) was a German-French painter, known for his gestural abstract style.
Hartung was born in Leipzig, Germany into an artistic family. He developed an early appreciation of Rembrandt, German painters such as Lovis Corinth, and the Expressionists Oskar Kokoschka and Emil Nolde. In 1924 he enrolled in Leipzig University, where he studied philosophy and art history. He subsequently studied at the Fine Arts academy of Dresden, where he copied the paintings of the masters. The modern French and Spanish works he saw in 1926 at the Internationale Kunstausstellung in Dresden were a revelation to him, and he decided that he would leave his native country to prevent succumbing to provincialism. Consequently, after a bicycle trip through Italy, he moved to Paris.
In Paris, Hartung had little contact with other artists, and copied the works of old and modern masters. He visited the south of France, where the landscape inspired him to a close study of the works of Cézanne, and he developed a great interest in principles of harmony and proportion such as the golden section. In 1928 he visited Munich where he studied painting technique with Max Doerner. In 1929 he established in the French towns of Leucate, and then in the Balearic Islands, eventually settling in Minorca. He exhibited for the first time in 1931 in Dresden.
The death of his father in 1932 severed Hartung’s last bonds with Germany. He was rejected from Nazi Germany on account of being a ‘degenerate’, because his painting style was associated with Cubism, an art movement incompatible with Nazi Germany’s ideals. In 1935 when he attempted to sell paintings while visiting Berlin, the police tried to arrest him. He was able to flee the country with the help of his friend Christian Zervos.
After he returned to Paris as a refugee, Hartung and his wife divorced, and he became depressive. His paintings were becoming more abstract and did not sell well. His friends tried to help him with his financial difficulties, and the sculptor Julio González offered him the use of his studio.
In December 1939, he became a member of the French Foreign Legion. He was closely followed by the Gestapo and arrested for seven months by the French police. After they learned he was a painter, he was put in a red cell in an attempt to disturb his vision. After being released he rejoined the Legion to fight in North Africa, losing a leg in a battle near Belfort. He earned French citizenship in 1945.
In 1947 in Paris he had his first solo exhibition. By the late 1950s he had achieved recognition for his gestural paintings, which were nearly monochromatic and characterized by configurations of long rhythmical brushstrokes or scratches. In 1960 he was awarded the International Grand Prix for painting at the Venice Biennale. Hartung’s freewheeling abstract paintings set influential precedents for many younger American painters of the sixties, making him an important forerunner of American Lyrical Abstraction of the 1960s and 1970s.